I went to the Nasher this weekend to check out their Color Balance show and ended up spending most of my time in their permanent collection. Nothing against the exhibit or anything, it’s just I never really need more than 10 minutes in a color field exhibit before I’m satisfied. What really caught my attention that day, were a few large format color prints (including the piece above) by Burk Uzzle that were recently added to the Nasher’s permanent collection. His use of composition and color balance is mesmerizing. Take some time to check out his ‘Just Add Water’ + ‘All American’ series on his site. He also happened to photograph a little get together in the 60’s featuring naked hippies listening to music in the mud…

P.S. If your name is Kristy Martino, then you’re probably going to want to check out the ‘John Hermann House’ series…  altars and obsessive collections galore.

I love the work of London-based illustrator Dale Edwin Murray. It makes me smile.

Ty Mattson, of Mattson Creative (same dude behind those sweet lost posters) clearly has a lot of gifts, but he and his wife have recently been given another. No better way to show your kid how much you love them, then to create a completely kick ass birth announcement. This amazing print press announcement is very well laid out and uses  some really fun illustrations and colors. I can honestly say I have never seen such a sick birth announcement. So taste it Hallmark and Shoebox. The bar has been set. Your move.

PS:   Ty, Congrats on your son. I hope you pass your amazing skills onto him and please have more kids so we can see more of these.

It’s a building that harvests and stores water from dew in the English countryside. It’s also my brother’s final project from grad school and now that he’s done… it’s time to start working on my mountain house!

portfolio. behance.

I’ll let John give his project a proper introduction after the break.

Dating back to the 18th century the Harnham Estate, located a short distance outside Salisbury England has documented regional techniques for harvesting water providing a rich history of the practice and the subsequent effects. The methods applied through the centuries reflect regional limitations, a shift in intention and attempts to amplify efficiencies. Although many of these techniques are specific to the region and time period, they are not necessarily unique to the site; it is the extent of the documentation of these exercises and the entrepreneurial achievements intent on monetary gain that make the subsequent story so fascinating. After acquiring the Estate in 1786 following the death of his Father, Sir Edward Harnham commissioned a series of engraved maps to be produced of the Estate. Cataloguing the boundaries of the Estate, as well as all landmarks within the terrain in a series of 4 maps and 2 scenic prints one depicting the manor, and the other the view of the Salisbury Cathedral from the manor. The 2 remaining images both display the dew ponds contained on the site. The large number and proximity of these dew ponds is rare, and is considered to be the largest concentration of dew ponds known in the South Downs. Located on large deposits of chalk the South Downs is essentially a large aquifer making the retention of water a difficult task. For hundreds of years residents if the South Downs have used a technique known as puddling to construct dew ponds which allow water to be drawn from the atmosphere and retained on the surface for long time periods to provide drinking water for cattle. In the Early 20th century a catastrophic failure exposed a previously forgotten cistern located beneath the dew ponds. A local architecture firm was hired to survey the cistern and assess its potential threat to the existing manor. The conclusions presented stated that once the water had evacuated the cistern it was no longer a structural threat to the residence. No one was injured in the failure, however a large number of livestock were lost. The rupture left a large chalk scar on the landscape which could be seen kilometres away. Inspired by the still visible scar James Harnham and a business partner John Linski founded Ethereal 1. Providing premium bottled water harvested from the now locally known Harnham dew ponds, Ethereal 1 entered the market June 11th, 1991 at 14 £ a litre. After a slow start Ethereal 1 finally met with success in 1995 as the market for bottled water grew exponentially. In order the meet growing demands, a series of dew collecting nets were pioneered by a London based architecture firm MJB Architects which allowed for a 25 fold increase production. Due to peak production vs. bottling time, storage bladders were constructed on the hillside to provide short term storage for water during the process. The Bladders were placed under the surface of the earth to provide protection from the sun, and to retain the waters desired temperature. This new system now mirrored the previous system harvesting, storing, and distorting the landscape, except on an exaggerated time scale. The success of Ethereal 1 is largely credited to the history of water collection from the Estate. Inversely this success in turn encouraged the use of these techniques in the region to meet growing demands for water during periods of drought. Once these techniques were spread over a larger region their success caused the near collapse of the water table in the territory north of the South Downs. In 2026 a bill failed to pass that would have banned all acts of poaching the aerial aquifers within Southern England. By 2035 desalination became the leading source of water for England followed closely by atmospheric stripping techniques such as dew harvesting. At present 3000 cubic miles of water exist in the atmosphere at any given time. 98 percent of this resource is replenished every 2 days, and most importantly only 2 percent of this moisture exist in clouds, the vast majority is found in ambient air. Since 2028 atmospheric aquifers have been tracked and traded as an asset in the global stock exchange. As waters value increases many countries inflate their economies based on water futures. Recognized as one of the most prestigious water companies in the world, Ethereal 1 began to capitalize on their long standing history of water collection. In 2001 the company began selling vintage bottles of water, allowing customers to hand pick select days in which their water was collected. In 2071 an addition to the manor is constructed to house Ethereal 1s reserve bottle collection. The building is constructed out of an amalgamated chalk solution that itself becomes a source of water collection and storage. Three years following the construction of the Reserve House a vintage bottle of Ethereal 1 dated prior to the millennium fetches over 40,000 £ at auction.

OK, so Daytrotter isn’t anything new, I gathered that but I just discovered it today + I’m assuming there are at least a handful of you out there that haven’t stumbled on it just yet so for those few, this post is for you.

What is new is the video above. So, if you haven’t visited or downloaded from Daytrotter yet, watch + learn. If you’re a longtime fan, hell, the video is still great. Take a look behind the scenes.

My super-talented friend LLoyd Winter alerted me of this ridiculous collection of photographs by Elmo Tide, who I cannot find any information on. his work takes us into a different, thickly complicated and at the same time simple world—filled with life itself. It’s CasaBlanca meets boxing meets tattooed skin—the perfect combination to get the mind ready for a week filled with magic.

Elmo Tide, whoever you are, your work rules. And the mystery around you makes this even cooler.

I’m not even going to pretend to be enough of a geek to understand how this is done, but I do have an enormous amount of respect for anyone that can program the laws of physics, fluid dynamics, and materials science into a computer program.  The ramifications for the motion graphics and video game industry (assuming consoles can handle the intense processing going on) are pretty enormous with this kind of control and granularity.  Even if you’re not a total dork though, you can still enjoy it if you have a thing for flying digital goo-rabbits.

David Cuesta is a talented Chicago based illustrator + designer who produces some really inspiring vector illustrations. His work has a fun cartoony street art look to it. Check out more of his work on Behance.

I really love the dreamlike landscapes in Betsy Walton’s work. I am also find these words about her process really inspiring:

I work with a spontaneous approach and few expectations of specific results.  I rarely sketch preliminary drawings before diving into a painting, in the belief that the image formed through the painting process itself will be rich, revealing, and vital.

Young, Canadian artist Miles Pasick looks the abyss dead in the eye…and then paints it. Good stuff from this  upstart.